2.27.2011

Welcome Back

Welcome back for a new week of blogging! I say welcome back, because it feels like forever since my last blog post, in actuality it was only a week ago. Time seems to slow down asymptotically as you approach graduation. You'll see the coloration below:
On this graph, the y axis is perception of rate of time and the x axis is time. As we approach graduation (i.e. infinity), perception of the rate of time slows down to a stop. Now that I've either lost you, made you laugh, or made you tune out, lets discuss some advertising.

Our first ad to discuss today hails from Cake Imagery Retouchers. Lets watch:
You'll notice first off, that the model here has had quite a bit of work done from Cake Imagery. Good job Cake! But was the joke taken a bit far? Is this too offensive or racy? If I could shrug on a blog, this is where I would do it. Of course some would say it's offensive, but everyone has something to say about everything and if we didn't offend anyone then our media would be plain black words (Times New Roman, 12pt, double spaced, no fancy graphic work) on white paper that were as intelligent as they were visually stimulating. I think those who would be offended, wouldn't be in the market to hire Cake Imagery anyway. After all, what's there to be offended about if you're in a business that hires retouchers? Your lively hood is probably based around making the shit of the world look pretty. So, if you're offended by this ad and you're looking for retouchers, you should probably get out of the business. That said, I think the ad is pretty clever. Of course it harps on some of the more disgusting aspects of our society, but maybe that makes it that much more genius. It's an ad subtly mocking those who it's targeting and for that, I say bravo!

Our next ad comes from Happydent Bubble Gum (before we go any further I suggest they change the name of their product, no need to explain). Let's take a look:
We'll first notice that this is a poster of Mahatma Gandhi made out of gum (there's another one of Mother Teresa. I'm surprised there isn't one of Jesus). My first thought, before considering it's offensiveness level, is why did you make a poster of Mahatma Gandhi out of gum? It just seems like a risk with no payoff. I digress, is it offensive? I'm not offended by it, but I'm a special case; I can see how others may be. Some (by some I mean most of the world) may be offended that a bubble gum company, which has no connection to Mahatma Gandhi or Mother Teresa, would choose to hijack the greatness of these historically mammoth do-gooders in an attempt to peddle their corporately backed bubble gum upon the masses of the world. I now see the connection, Mahatma Gandhi lead the largest hunger strike and peaceful protest in history in an attempt to free his people from imperial British rule just as Happydent bubble gum can free you from the stress of your day. I would generally rule a comparison of your company to the most wholesome people of the world a bad idea. If you don't push your customer away by offending them, you'll probably push them away by your stupidity, or perhaps your hubris. (Side note, apparently Happydent is an Indian company. Not sure if it changes much, but perhaps it gives some perspective).

Our third ad comes from the Norwegian Association of the Blind. Let's have a peak:

 
The first thing you'll notice is that this is not in English. Once you jump that language barrier it seems pretty obvious that this campaign didn't hit the eyes of the creative director or maybe he was blind (then again those Norwegians have some different social standards than us Yanks). Again, I'm not offended, but I would also never run this due to the millions of people that may be. Not to mention, this ad does nothing but make fun of blind people, I don't think it achieves its goal of persuading industries to hire blind people; if anything, it points out the reasons you shouldn't hire blind people. For that, I think this is a fairly stupid campaign. If I were blind and saw this, I would be highly offended; luckily for them that's impossible. Check minus!
Our fourth and final contest tonight comes from Kenneth Cole. Kenneth, take it away:

Ouch. Nice attempt to back peddle Ken, but using a nation of people's democratic revolution that caused nearly 300 deaths, many more injuries, and an immense loss of wealth in an attempt to sell your clothing, probably won't sell your clothing. In fact, you may just anger your clientele so much, that they are no longer your clientele; I see it took your PR staff two hours to tell you that, good work to all involved. Am I personally offended? No. Do I think that Kenneth Cole is an asshole? Pretty much. Let's give one check to offensive, one to stupid, and zero to brilliant. That leaves us with a total tally for the night of two offensives, two stupids, and one brilliant (but still a little offensive). BUT WAIT, there's more!

Our surprise contestant comes from Central Beheer insurance (of Norway again. Maybe someone should have a talk with those Norwegians). Let's have a look-see (try to ignore the first fifteen seconds of terrible video effects):
Good work Central Beheer. Let's give them a round of applause. Stereotyping the gay community, invoking creationism, and likening a gays to the end of humanity. If you didn't get the ad, which is possible because it's a bad ad, Eve has to call Central Beheer, because Adam is gay. I assume that this means Central Beheer will come take Adam away and replace him with a "better" straight version, so that the human race may continue. Overall, just a terrible ad; don't think that was money well spent. Ad aside, fairly offensive piece of media. At least the Cake Imagery ad was poking fun at our depravity as a culture in a piece of witty social commentary / advertising; this is just straight up making fun of homosexuals. So, once again. Good work Central Beheer! I think the overall winner tonight though is clearly Norway. Without you, what would civilized intellectual Americans have to be offended about? Oh, right, I forgot about ourselves.

Ciao!

2.20.2011

Billboards / Outdoor

This week we're supposed to be looking at billboards / outdoor advertising, two of which must be copy only. It was hard to find good copy only billboards, as most billboards use visuals to communicate points quickly, but I found a few.


Coca-Cola: Straw Ad
The first ad comes out of McCann Erikson in Toronto. I assume this particular ad is from the subway system. I found this particular ad very interesting and eye catching. By interacting with the two billboards on the side of the main Coca-Cola ad, the advertisement has broken the 'fourth wall' and no longer feels like a normal ad; this is a huge advantage of outdoor advertising. It has the ability to interact with the user more than print only or TV ads. The message of the ad is also very inline with Coca-Cola's brand image; it depicts 'everyone' enjoying their product.


McDonald's: Clock Ad
The next ad is from Berstein-Rein out of Missouri. I consider this one of my 'copy only' ads, even though it has some graphics on it. I thought this was a clever idea, yet very simple. I think the simplicity works very well in an outdoor ad, it allows the viewer to understand the idea very quickly. It's clever, as the ad adjusts to the current time of day; this is another advantage of outdoor advertising.
Moulinex: Blender Ad
The last ad comes from Saatchi & Saatchi in Tel Aviv. This is another of my 'copy only' ads. I found this ad quite interesting as well. I found it as an interesting use of copy. They took a simple phrase and 'blended' it. I'll admit it did take me a minute to get through the copy in the ad, as it's blended, but, overall, I felt it to be a clever ad. I do find I'm a fan of more visually heavy ads however.

2.13.2011

Three Ad Techniques


Exaggeration + Omission and Suggestion + Telling Stories

The first ad we'll look at is a 'public interest' ad from Onida Mobiles, produced by McCann Erikson in Mumbai, India. The ad is one in a series of similar ads, which tell the story of a driver of some sort being yelled at by someone (a mom, a girlfriend, a boss). The ads use exaggeration to show the person on the other end of the conversation as a physical entity which blocks the view of the driver. The ads then use omission and suggestion to suggest to the audience that the driver will crash due to this conversation. In this particular ad, it seems evident that the driver on the scooter is heading straight for the fire hydrant. I think the exaggeration helps make this ad eye catching; people will do a double take due to the absurd nature of the situation. The story telling helps make this ad memorable; stories tend to be more memorable than situations without any story. The omission and suggestion helps convey the point; the suggestion of a crash is pretty strong here, but I feel it could be stronger. I feel that this ad is fairly good, but I wish it were a little more visually strong, to the point where no words were even needed. That is a hard task to accomplish however, so good ad overall.

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Telling Stories + Absurd, Surreal, Bizarre
The next ad comes from Taina Caffe, produced by Draft FCB out of Sao Paolo, Brazil. This ad, as the first one, tells a bit of a story to make the ad memorable, but I believe this ad to be a bit more comic. The ad also uses an interesting illustration style to exaggerate the bizarre nature of the situation. I think this was a successful execution of these styles in conjunction with a fairly witty tag line to create a good ad.
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Changing the Product
The final ad uses the "changing the product" technique to change a pair of Diesel jeans into a face. This ad was for yalook.com produced by Futurebrand in Hamburg, Germany. I think this is an interesting idea, but the weakest of the three ads. I don't necessarily think the logo fits much with the style of the ad, but more importantly, I don't understand why the jeans were turned into a face or this particular face. The fact that these are Diesel jeans, a fairly important fact, isn't really emphasized either. Basically, I see a face out of jeans, which is cool, but I wonder why. I think it was an interesting attempt, but overall a failed idea. Back to the drawing boards.

2.06.2011

SAVOR THE POWER! The power of the crunch.


So, this week we were to blog about our favorite Super Bowl ad. It's hard for me to say that the Doritios "Power of the Crunch" ad is my favorite Super Bowl ad of all time (there are so many, that it's hard to remember), but it's the first one that came to mind when I was asked to do this post; so clearly, even if it's not my favorite, it's up there.

This ad is amazing for a few reasons, so let's discuss them:

1.) Hits it's target demographic spot on.
     People watching the Super Bowl tend to be more male, although many women watch it, but regardless of your gender, if you're watching the Super Bowl you're most likely not a sophisticated, high-brow, nose in the air, goody-two-shoes. Also, you most likely enjoy snack foods; for example at occasions like football games. So here's an ad that gets a little risque at moments and attaches that risque feeling with a snack food. Bravo!

2.) Tells a story.
     Although simple, this advertisement tells a short narrative. A man discovers the "Power of the Crunch", abuses it, and when his bag runs out he pays for it. Almost like a selling your soul situation. I think this makes this simple story somewhat familiar to most. It's a classic storyline, transformed into a funny 30 second clip.

3.) Creative choices are entertaining.
     Did the women have to be wearing sexy lingerie underneath? Did the cop have to turn into a monkey? Was it completely necessary to play  Libiamo ne' lieti calici (A drinking song) by Verdi? No, but we're all glad that these were the choices that were made. It turns it into "a lawless utopia were women are objects, money is taken rather than earned and were bus drivers say fuck the brakes and always give it more gas" as andrew p6262 of youtube.com points out.

4.) It evokes laughter.
     I know few people who saw this ad and did not laugh. It's a memorable commercial because it's funny, it's a GOOD commercial because the product, "Doritos", was integrated into the storyline so that the viewer doesn't forget about the product. It's an AMAZING commercial, because the entire concept of the ad, "The Power of the Crunch", is based on a key, yet simple, characteristic that anyone who has ever eaten a Dorito can relate with; it's crunch.

Brilliant ad. Too bad I don't have TV and can't watch the Super Bowl this year. I'll have to watch the commercials online later.